{"product_id":"rcm-violin-orchestral-excerpts-9-arct-2021-edition","title":"RCM - Violin Orchestral Excerpts 9-ARCT, 2021 Edition","description":"\u003cdiv\u003e\n  \n\nCarefully selected and curated to support teachers and students in their artistic and technical development, the Violin Series, 2021 Edition includes pieces from a diverse range of eras and styles that represent stepping stones to major violin repertoire.\n\nViolin Orchestral Excerpts 9–ARCT presents excerpts ordered chronologically from the Baroque to the modern era and includes overtures, ballets, operas, chamber music, orchestral music, and contemporary works. Selections are organized progressively to present relevant materials with both section parts and concertmaster solos for youth and community orchestras, chamber music ensembles, and to provide preparation material for auditions at the professional level.\n\n  \u003cdiv itemscope itemtype=\"https:\/\/schema.org\/MusicPlaylist\" style=\"font-family: Arial, Helvetica, sans-serif; font-size:16px; color:#0a0a0a; line-height:1.6; margin:0; padding:0;\"\u003e\n  \u003cdiv style=\"border:1px solid #e5e7eb; border-radius:12px; padding:20px; background:#fff; max-width:900px;\"\u003e\n    \u003c!-- Title --\u003e\n    \u003ch2 style=\"margin:0 0 8px 0; font-size:22px; line-height:1.3;\"\u003e\n      \u003cspan itemprop=\"name\"\u003eCelebrate Theory – Level 9–ARCT Violin Listening Anthology\u003c\/span\u003e\n      \u003cspan style=\"font-weight:normal; color:#4b5563;\"\u003e(SKU: \u003cspan itemprop=\"sku\"\u003eVLE02\u003c\/span\u003e)\u003c\/span\u003e\n    \u003c\/h2\u003e\n\n    \u003c!-- Basic Info --\u003e\n    \u003cp style=\"margin:0 0 16px 0; color:#374151;\"\u003e\n      \u003cstrong\u003eLevel:\u003c\/strong\u003e Level 9 – ARCT • \n      \u003cstrong\u003eISBN:\u003c\/strong\u003e \u003cspan itemprop=\"isbn\"\u003e978-1-55440-914-3\u003c\/span\u003e\n    \u003c\/p\u003e\n\n    \u003c!-- Contents --\u003e\n    \u003cdiv itemprop=\"description\" style=\"margin:0;\"\u003e\n      \u003ch3 style=\"margin:0 0 8px 0; font-size:18px;\"\u003eContents\u003c\/h3\u003e\n      \u003cul style=\"margin:0 0 6px 18px; padding:0;\"\u003e\n        \u003cli\u003eSymphony No. 104 (“London”), Hob I:104: I, II – Franz Joseph Haydn\u003c\/li\u003e\n        \u003cli\u003eSymphony No. 40, K 550: I, IV – Wolfgang Amadeus Mozart\u003c\/li\u003e\n        \u003cli\u003eDon Giovanni, K 527: Overture – Wolfgang Amadeus Mozart\u003c\/li\u003e\n        \u003cli\u003eLa gazza ladra: Overture – Gioachino Rossini\u003c\/li\u003e\n        \u003cli\u003eSymphony No. 3 (“Organ”), op. 78: I – Camille Saint-Saëns\u003c\/li\u003e\n        \u003cli\u003eDie Hebriden, op. 26 – Felix Mendelssohn\u003c\/li\u003e\n        \u003cli\u003eSerenade for Strings, op. 22: II – Antonín Dvořák\u003c\/li\u003e\n        \u003cli\u003eVariations on an Original Theme (“Enigma”), op. 36: II, VII – Edward Elgar\u003c\/li\u003e\n        \u003cli\u003eSymphony No. 1 (“Titan”): IV – Gustav Mahler\u003c\/li\u003e\n        \u003cli\u003eString Quartet in C Minor, op. 18, no. 4: I, IV – Ludwig van Beethoven\u003c\/li\u003e\n        \u003cli\u003eRepertoire: I – Rodney Sharman\u003c\/li\u003e\n        \u003cli\u003eEntr’acte – Caroline Shaw\u003c\/li\u003e\n        \u003cli\u003eSymphony No. 1, op. 21: III, IV – Ludwig van Beethoven\u003c\/li\u003e\n        \u003cli\u003eDie Zauberflöte, K 620: Overture – Wolfgang Amadeus Mozart\u003c\/li\u003e\n        \u003cli\u003eOberon, J 306: Overture – Carl Maria von Weber\u003c\/li\u003e\n        \u003cli\u003eSymphony No. 4 (“Italian”), op. 90: I – Felix Mendelssohn\u003c\/li\u003e\n        \u003cli\u003eSymphony No. 7, WAB 107: I, II – Anton Bruckner\u003c\/li\u003e\n        \u003cli\u003eDie Fledermaus: Overture – Johann Strauss\u003c\/li\u003e\n        \u003cli\u003eSymphony No. 1, op. 68: I – Johannes Brahms\u003c\/li\u003e\n        \u003cli\u003eSymphonie fantastique, op. 14: I, II – Hector Berlioz\u003c\/li\u003e\n        \u003cli\u003eSerenade for Strings, op. 48: I – Pyotr Il’yich Tchaikovsky\u003c\/li\u003e\n        \u003cli\u003eThe Planets, op. 32: II, III, IV – Gustav Holst\u003c\/li\u003e\n        \u003cli\u003eString Quartet in F Major: I – Maurice Ravel\u003c\/li\u003e\n        \u003cli\u003eSymphony No. 4, op. 36: I, II, IV – Pyotr Il’yich Tchaikovsky\u003c\/li\u003e\n        \u003cli\u003eSymphony No. 39, K 543: I, IV – Wolfgang Amadeus Mozart\u003c\/li\u003e\n        \u003cli\u003eThe Nutcracker, op. 71: Overture – Pyotr Il’yich Tchaikovsky\u003c\/li\u003e\n        \u003cli\u003eSymphony No. 9, op. 125: II, III – Ludwig van Beethoven\u003c\/li\u003e\n        \u003cli\u003eIncidental Music to A Midsummer Night’s Dream, op. 61: I – Felix Mendelssohn\u003c\/li\u003e\n        \u003cli\u003eSymphony No. 2, op. 61: II – Robert Schumann\u003c\/li\u003e\n        \u003cli\u003eThe Bartered Bride: Overture – Bedřich Smetana\u003c\/li\u003e\n        \u003cli\u003eSymphony No. 4, op. 98: IV – Johannes Brahms\u003c\/li\u003e\n        \u003cli\u003eSymphony No. 9: I – Gustav Mahler\u003c\/li\u003e\n        \u003cli\u003eSymphony No. 2, op. 27: I, II, IV – Sergei Rachmaninoff\u003c\/li\u003e\n        \u003cli\u003eDon Juan, op. 20 – Richard Strauss\u003c\/li\u003e\n        \u003cli\u003eSymphony No. 1 (“Classical”), op. 25: I, II, IV – Sergei Prokofiev\u003c\/li\u003e\n        \u003cli\u003eSymphony No. 5, op. 47: I – Dmitri Shostakovich\u003c\/li\u003e\n        \u003cli\u003eSt Matthew Passion, BWV 244, part 2, no. 39 – Johann Sebastian Bach\u003c\/li\u003e\n        \u003cli\u003eString Quartet No. 14 in D Minor (“Death and the Maiden”), D 810: I, IV – Franz Schubert\u003c\/li\u003e\n        \u003cli\u003eMissa Solemnis, op. 123: Sanctus – Ludwig van Beethoven\u003c\/li\u003e\n        \u003cli\u003eSwan Lake Suite, op. 20a: IV – Pyotr Il’yich Tchaikovsky\u003c\/li\u003e\n        \u003cli\u003eCapriccio espagnol, op. 34: I, III, IV, V – Nikolai Rimsky-Korsakov\u003c\/li\u003e\n        \u003cli\u003eEin Heldenleben, op. 40 – Richard Strauss\u003c\/li\u003e\n        \u003cli\u003eVerklaerte Nacht, op. 4 – Arnold Schoenberg\u003c\/li\u003e\n        \u003cli\u003eTwo Pop Songs on Antique Poems: A Letter from the After-life – Dinuk Wijeratne\u003c\/li\u003e\n        \u003cli\u003eSheherazade, op. 35: I, III, IV – Nikolai Rimsky-Korsakov\u003c\/li\u003e\n      \u003c\/ul\u003e\n    \u003c\/div\u003e\n  \u003c\/div\u003e\n\u003c\/div\u003e\n\n  \u003chr style=\"margin:24px 0;\"\u003e\n  \u003ch2\u003eShipping\u003c\/h2\u003e\n  \u003cp\u003eThis item can only be shipped within Canada.\u003c\/p\u003e\n  \u003chr style=\"margin:24px 0;\"\u003e\n  \u003ch2 style=\"margin:0 0 0.5rem;font-size:1.4rem;font-weight:700;\"\u003e\n  Return \u0026amp; Exchange Policy\n\u003c\/h2\u003e\n\n\u003cp style=\"margin:0 0 1.25rem;font-style:italic;\"\u003e\n  Last updated: May 9, 2025\n\u003c\/p\u003e\n\n\u003col style=\"padding-left:1.25rem;margin:0 0 1.25rem;line-height:1.45;\"\u003e\n  \u003cli style=\"margin-bottom:1rem;\"\u003e\n    \u003cstrong\u003eAll Sales Are Final\u003c\/strong\u003e\u003cbr\u003e\n    Except as noted below, we do not accept returns or exchanges under any circumstance.\n  \u003c\/li\u003e\n\n  \u003cli style=\"margin-bottom:1rem;\"\u003e\n    \u003cstrong\u003eDefective or Damaged Instruments\u003c\/strong\u003e\u003cbr\u003e\n    We stand behind every instrument we sell. If your instrument arrives with a manufacturer defect\n    or is damaged in transit (e.g., a broken pickup on an electric guitar),\n    please contact us immediately.\u003cbr\u003e\u003cbr\u003e\n\n    \u003cu\u003eEligibility\u003c\/u\u003e:\u003cbr\u003e\n    \u003cul style=\"margin:0.5rem 0 0.5rem 1.25rem;\"\u003e\n      \u003cli\u003eThe defect \/ damage must be reported within \u003cstrong\u003e7 days\u003c\/strong\u003e of delivery.\u003c\/li\u003e\n      \u003cli\u003eYou must provide clear photographs or video showing the issue.\u003c\/li\u003e\n    \u003c\/ul\u003e\n\n    \u003cu\u003eInspection Requirement\u003c\/u\u003e:\u003cbr\u003e\n    Submission of photos or video alone does \u003cem\u003enot\u003c\/em\u003e guarantee a return or repair.\n    All claims are subject to a physical inspection by our certified technician.\u003cbr\u003e\u003cbr\u003e\n\n    \u003cu\u003eProcess\u003c\/u\u003e:\u003cbr\u003e\n    \u003col style=\"margin:0.5rem 0 0.5rem 1.25rem;\"\u003e\n      \u003cli\u003eEmail \u003ca href=\"mailto:support@solschoolofmusic.ca\"\u003esupport@solschoolofmusic.ca\u003c\/a\u003e\n          with your order number, a description of the problem, and the visual evidence.\u003c\/li\u003e\n      \u003cli\u003eWe’ll review and, if preliminarily approved, issue a prepaid shipping label.\u003c\/li\u003e\n      \u003cli\u003eShip the instrument back to us for inspection.\u003c\/li\u003e\n      \u003cli\u003eAfter inspection:\n        \u003cul style=\"margin:0.25rem 0 0 1.25rem;\"\u003e\n          \u003cli\u003eIf approved, we’ll repair the instrument at no cost or replace it with an equivalent model (subject to availability).\u003c\/li\u003e\n          \u003cli\u003eIf not approved, the instrument will be returned to you unrepaired and return shipping will be charged to you.\u003c\/li\u003e\n        \u003c\/ul\u003e\n      \u003c\/li\u003e\n    \u003c\/ol\u003e\n  \u003c\/li\u003e\n\n  \u003cli style=\"margin-bottom:1rem;\"\u003e\n    \u003cstrong\u003eRepairs \u0026amp; Maintenance\u003c\/strong\u003e\u003cbr\u003e\n    Beyond initial defects, we offer ongoing \u003cem\u003estring replacement and repair services for Tar and Setar\u003c\/em\u003e.\n    These services follow our standard repair rates and turnaround times.\n  \u003c\/li\u003e\n\n  \u003cli style=\"margin-bottom:1rem;\"\u003e\n    \u003cstrong\u003eNon-Defective Instruments\u003c\/strong\u003e\u003cbr\u003e\n    Instruments that are undamaged and functioning as intended—regardless of buyer’s remorse or change of mind—are\n    \u003cstrong\u003enot eligible\u003c\/strong\u003e for return, exchange, refund, or credit.\n  \u003c\/li\u003e\n\n  \u003cli\u003e\n    \u003cstrong\u003eHow to Reach Us\u003c\/strong\u003e\u003cbr\u003e\n    Email: \u003ca href=\"mailto:support@solschoolofmusic.ca\"\u003esupport@solschoolofmusic.ca\u003c\/a\u003e\u003cbr\u003e\n    Phone: 905-508-7888\u003cbr\u003e\n    Hours: Mon–Fri, 10 AM – 6 PM (EST)\n  \u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e","brand":"Rcm","offers":[{"title":"Default Title","offer_id":44061772644463,"sku":null,"price":36.95,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0691\/2992\/8815\/files\/a5a60bcfba370e3f263af61f744a248eb6bcdca4-500x667.jpg?v=1768244515","url":"https:\/\/sol-school-of-music-and-instrument-store-2.myshopify.com\/products\/rcm-violin-orchestral-excerpts-9-arct-2021-edition","provider":"Sol School of Music and Instrument Store","version":"1.0","type":"link"}